Hannah Morris

Unfolded

People are often interested in the process of how I make collage paintings. It comes down to layering one detail on top of another, and another, and so on. I am at once a craftswoman, an artist, and a laborer. I mention that last one because it’s laborious, even tedious at times, but I can’t help but enjoy that monotony. I like repetition as much as I like spontaneity. After all of these steps, a (hopefully) unified piece appears. I’m not saying that this final art work isn’t important; I just don’t see it as the goal. What I produce in the end is a culmination, a travelogue of the visual journey I’ve taken. Layers and detail. I seek out the stories that happen in between.

These are process shots of Nearly High Noon, gouache, Flashe, and paper collage on board. 10 x 10 in. 2019.

Artist to Watch

It's all things February right now: confusing weather (snowstorm followed by rainstorm, followed by 60˚F days, followed by flooding), dreams of seed starting and growing the garden, and studio work. I'm working hard to finish collage paintings for my upcoming show (opens March 27) at Studio Place Arts in my home city of Barre, Vt., where I currently have a studio space as an artist-in-residence

My studio, looking out...the fishbowl!

My studio, looking out...the fishbowl!

In other news, Vermont Art Guide just published their latest issue--#6--and included me as one of their "artists to watch." I'm honored to be featured alongside the likes of Janet Van Fleet and other favorite Vermont artists. I'll also have work included in one of the two exhibitions at the Vermont Arts Council later this spring, showcasing the artists featured in the artist-to-watch series.

Back to the drawing board, now.

May your spirits stay high--despite of or because of the rain--and may you see some good art!

A work in progress in my studio - I start with a collage base of vintage images and paint over them.

A work in progress in my studio - I start with a collage base of vintage images and paint over them.